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GHOSTS AFTER IBSEN

First Floor Studio Residency ProjectGhost-poster

written by Thomas Kilroy

Saturdays & Sundays | 7pm
August 2, 3, 9, 10, 16, 17, 23 & 24
HB First Floor Studio | 120 Bank Street
Free! | RSVP: ghostsreservations@gmail.com

Directed by Austin Pendleton
Featuring: Jim Broaddus*, Lauren Hobbs, Debra Lass*, Keegan McDonald & Joe Stillman
Assistant Director: Catherine Goodman
Dialect Coach: Amanda Quaid
Produced by: Debra Lass & Joe Stillman

Post-Show Audience Q&As:
– Aug 10 with Thomas Kilroy, moderated by Austin Pendleton
– Aug 23 with the cast and director

*member Actors Equity Association.
These performances are presented by kind permission of Thomas Kilroy © Thomas Kilroy 1989 Copyright agent: Alan Brodie Representation Ltd; www.alanbrodie.com

This program is made possible by the New York State Council on the Arts with the support of nysca_60pxGovernor Andrew Cuomo and the New York State Legislature.

People Who Make Theatre: REED BIRNEY

A conversation with Obie and Drama Desk Award-winning actor

Reed-Birney-2Moderated by Louise Mittelman & Zach Wegner

Monday, July 14 | 7:30pm (doors at 7pm)
HB Playwrights Theatre, 124 Bank Street, NYC
All are welcome! Meet & Greet Reception to follow
$10 suggested donation | 5$ HB students & staff

RSVP online

Reed Birney was just seen in CASA VALENTINA at Manhattan Theatre Club, for which he won the 2014 Drama Desk Award: Outstanding Featured Actor in a Play. He recently appeared in Dennis Kelly’s TAKING CARE OF BABY at Manhattan Theater Club and at A.R.T. as Hubert Humphrey to Bryan Cranston’s LBJ in ALL THE WAY. Last winter he returned to Broadway in the Roundabout revival of PICNIC; his Broadway debut was in 1977 in Albert Innaurato’s smash hit GEMINI. In 2011, he received a Special Drama Desk Award honoring his thirty-six years of work as an actor. Recent productions: CORE VALUES at Ars Nova, HAPGOOD at Williamstown Theater Festival, UNCLE VANYA (Soho Rep-Drama Desk Nomination), Kim Rosenstock’s TIGERS BE STILL and David West Read’s THE DREAM OF THE BURNING BOY (Drama League, Outer Critics Circle nominations), both at The Roundabout Underground, and Adam Bock’s A SMALL FIRE at Playwrights Horizons, where he has appeared a record-breaking eight times. He was Ian in the New York premiere of Sarah Kane’s BLASTED in 2008 at Soho Rep, for which he was nominated for a Drama Desk Award. He received an OBIE and Drama Desk Award for his performance in Annie Baker’s CIRCLE MIRROR TRANSFORMATION also at Playwrights Horizons. He was Tony Blair in the acclaimed Public Theater production of STUFF HAPPENS. Other notable performances include the world premiere of Tony Kushner’s revised HOMEBODY/KABUL at Steppenwolf and The Taper; BUG (OBIE award); THE COMMON PURSUIT at the Promenade Theater; Gaev in THE CHERRY ORCHARD at Williamstown Theater Festival. He made his film debut in Arthur Penn and Steve Tesich’s FOUR FRIENDS, and has appeared in Clint Eastwood’s CHANGELING, MORNING GLORY and Jeff Lipsky’s TWELVE THIRTY and MOLLY’S THEORY OF RELATIVITY, and with Kristen Wiig in THE GIRL MOST LIKELY. He is Rep. Donald Blythe on the hit Netflix series, “House of Cards” and was seen as Patti LuPone’s husband in an episode of “Girls.” He won a 2006 Obie Award for Sustained Excellence in Performance and this year Actor’s Equity awarded him the Richard Seff Award.

nysca_60pxThis program is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.

BRIDAL SHOWER

First Floor Studio Performance Project

Bridal Shower Postcard(1)A reading of a new one act play
by
Andrew Marvel

Sunday July 13 | 7:30pm
HB First Floor Studio | 120 Bank Street
Free! | RSVP online

Each evening will be followed by a talk back.

Directed by Joshua Lombard
With John Carhart, Omar Cruz, Dennis Joel Henriquez & Marshall Simon.

Gay weddings for republicans. REALLY? Mark, a 47-something New Yorker thinks the whole idea is absurd. So when an invitation arrives to celebrate the union of Mark’s ex-lover to an up-and-coming rightwing politician, Mark decides there is only one way he can attend: in drag. Admittedly, he’s no RuPaul, but that’s just fine by Mark, who relishes the idea of making people uncomfortable at this pretentious affair. BRIDAL SHOWER is a one-act play that explores the very different effects mainstream acceptance is having on the gay community.

nysca_60pxThis program is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.

Noël Coward Series of Workshops & Events

From September 2014 to June 2015, HB will be exploring the work of Noël Coward with a series of special workshops and events, made possible with support from the Noël Coward Foundation:

  • Fall People Who Make Theatre – Acting Coward: a symposium featuring guests who are connected to recent Noël Coward productions and scholarship.
  • Two Winter Workshops focused on Coward: an acting scene study intensive and a musical theatre workshop. HB master teacher and accomplished Broadway and film actor Austin Pendleton will lead the acting workshop. Tony Award winner Helen Gallagher will lead the musical theatre workshop. Both workshops will give performers the opportunity to rehearse, prepare and present scenes and songs from a range of Coward works, receiving feedback and adjustments from seasoned artists.
  • Noel Coward Foundation.cmykSpring Performance Lab: Noël Coward’s DESIGN FOR LIVING, led by Tony Award-winning director Jack Hofsiss. A five week exploration of the play, culminating in shared work-in-progress presentations. DESIGN FOR LIVING offers a keen perspective on the life of an artist, the search for success, love and identity as well as the artist’s need to be “other.” HB Performance Labs are open by audition to current and recent HB students, and participants take part free of charge.

Stay tuned for details as these programs get underway!

Audition now for the Fall Term!

The Fall Term begins September 15. Sign up for your audition today.

New students wishing to study above our Level 1 class offerings are asked to audition before a faculty panel.
For audition schedule, details and sign up info, visit the Auditions & Prerequisites page.

Level 1 offerings are open to all without prerequisite or audition.

The Fall Term runs 10 weeks, September 15 – November 23. Fall Term registration begins August 1.

Interested in a trial class before registering? Audit classes this Summer to plan your Fall schedule. The fee for an audit is $20. Call 212-675-2370 for details and to schedule an audit.

THE CONDUCT OF LIFE

HB PERFORMANCE LAB

By  María Irene Fornés

Thursday July 17 – Sunday, July 20 | 8pm
(NOTE: Wednesday July 16 show has been cancelled)

HB Studio, First Floor Studio | 120 Bank Street
Free!  RSVP

With:
Juliya Abdulla
Peter Alexandrou
James Cottone
Catrin Lloyd-Bollard
Ibeth Massari

Directed by George Bartenieff
Stage Manager:
Yangdi Li
Assistant Stage Manager: Geralyn Cassidy

In Memoriam: Stuart Vaughan

VAUGHAN-obitHB notes with sadness the passing of Stuart Vaughan. We are honored and grateful for the time and wisdom Stuart shared with us this year.

A memorial/celebration of Stuart’s life is being planned for September at The Public Theatre.

“Stuart Vaughan, who directed the first productions of the New York Shakespeare Festival and later seeded several regions of the country with classic works, starting repertory theaters in Seattle and New Orleans and another that toured community centers and colleges, died on June 10 at his home in High Bridge, N.J. He was 88.

The cause was prostate cancer, his wife, Anne Thompson Vaughan, said.

As a director, Mr. Vaughan earned a reputation as a specialist in Shakespeare who professed a loyalty to the text and an aversion to what he called “revisionist approaches aimed at achieving ‘relevance.’ ” In the early 1960s, he directed a well-received “Hamlet” and “Henry IV” Parts 1 and 2 on Broadway.

But he was largely unknown when the producer Joseph Papp asked him to direct “Julius Caesar” and “The Taming of the Shrew” in 1956 at an amphitheater on the Lower East Side of Manhattan, the first two productions of what became a New York summer tradition — free Shakespeare outdoors…”

Read More

In Memoriam: Pennie duPont

Pennie_HB notes with sadness the passing of Pennie (Helen Quinn) duPont on Friday, our longtime friend and colleague.

Helen Quinn (Pennie) duPont, 75, of Greenwich Village, New York passed away peacefully at the Methodist Country House in Wilmington, Delaware on June 13, 2014.

Pennie was born in Johnstown, PA in1939 to the late Helen L. Rodgers and James Q. duPont. She is survived by her sister Deborah duP. Riegel of Wilmington, and by two brothers, P. Coleman duPont of Wilmington and Jamie MacKenzie of Taconic, Connecticut. She is also survived by two nieces, two nephews, two grand nieces and one grand nephew.

Pennie graduated from Miss Porter’s School in Farmington, Connecticut and Bradford Junior College in Haverhill, Massachusetts before going on to the Yale Drama School in New Haven, Connecticut. After attending The Yale Drama School, Pennie studied with Uta Hagen in New York and then worked in theater both on and off Broadway. A meticulous, knowledgable, and universally respected professional who brought her experience to many domains, Pennie’s career also included casting major motion pictures such as The Karate Kid, Peggy Sue Got Married, and Arizona Dream for directors Fred Schepisi, John Avildsen, Francis Ford Coppola and Emir Kusturica. She also did the west coast casting on Star 80 for Bob Fosse and Annie for John Huston. She was a founder of the City Center Young Peoples Theater and produced The Shrinking Bride off Broadway, introducing Danny de Vito.

Pennie began casting films when Ray Stark hired her to do a search for Annie. She did five other films for Stark; then went to work for Daniel Melnick’s IndiProd, casting such films as Roxanne and Quicksilver. She worked for Columbia and Tri Star in Los Angeles until returning to New York. She co-hosted the television show The Good Life with John Newcomb, syndicated in the US and Australia. As a writer, she sold a number of screenplays, including the award-winning Torn Between Two Fathers, an ABC after school special.  During the 90’s, she directed and produced short archival films for The New York School of Interior Design.

Pennie also taught acting and directing at NYU, both in New York City and Singapore, and at the Lee Strasberg Theater and Film Institute. One of the high points of her career was a project with Karen Ludwig to produce and direct Uta Hagen’s Acting Class, a renowned teaching documentary of her incomparable teacher and friend.

Pennie was a member of WAC; a feminist activist group of the late 80’s and early 90’s which organized actions around reproductive rights and equal pay. She loved going to movies, rowing on the Gowanus Canal in Brooklyn and just being outdoors. She will be deeply missed by all her family, friends, neighbors, students and colleagues. The family would like to recognize the extraordinary care given Pennie by all the staff at the Methodist Country House and Compassionate Care Hospice.

Services are private. In lieu of flowers, contributions can be made to:  HB Studio,
120 Bank Street, 
New York, NY 10014.

Acting in Accent: General American – Apply today!

Taught by Amanda Quaid, this is an advanced workshop for foreign actors who are working towards auditioning and performing using an American Accent. It is suitable for actors who are already proficient in the signature sounds of General American English who want to bridge the gap to scene study and auditions:

Acting in Accent: General American
Tuesdays & Thursdays
July 8, 10, 15 & 17
10am – 12pm, $145
Applications due June 24!

EATING AND DRINKING

A STAGED READING

By Susan Eve Haar

Saturday and Sunday, June 14 & 15 | 7 pm (please note updated performance time!)
HB Playwrights Theatre | 124 Bank Street
Free! | RSVP

A character driven family piece that starts at the unveiling of the patriarch’s gravestone and ends with the family in a new constellation, watching a little girl swing into the future.

Performed by: Judith Roberts, Denny Dale Bess, Graeme Gillis, Diana Ruppe, and Julie Fitzpatrick.

Directed by: Abigail Zealey Bess