A stage combat director and an intimacy director share notes about building a framework of consent and practice that supports actors to take risks, and to handle both intimate and violent staged interactions in their work. This talk will be preceded by a workshop for HB Studio Faculty on November 19th on using intimacy protocols in teaching and rehearsal.
Judi Lewis Ockler is an intimacy/fight director, variety performer, stunt performer, and teaching artist. Credits include: HATEF**K (Adrienne Campbell-Holt, director; WP theater) UNDER THE OVERTURE (Gerard Alessandrini, director), A MIDSUMMER NIGHT’S DREAM (Tony Speciale, director; Classic Stage). She is an Intimacy Director with Intimacy Directors International; she leads workshops in Intimacy for the Stage for actors and designers at Eugene O’Neil Theater Center, NYU Tisch, and The American Musical & Dramatic Academy, NYC.
Christian Kelly-Sordelet: Fight Director, Broadway: PICNIC, BREAKFAST AT TIFFANY’S, WAITING FOR GODOT and NO MAN’S LAND, ECLIPSED SUNSET BOULEVARD. Off-Broadway: MASKED, SLIPPING, UNLOCK’D, THE BROTHER/SISTER PLAYS, KID VICTORY. Stunt Coordinator for: ALL MY CHILDREN, GUIDING LIGHT, ONE LIFE TO LIVE, SCHOOL SPIRITS, and KEVIN CAN WAIT. Christian assisted in: THE SNOW GEESE, BEAUTY AND THE BEAST TOUR: South Africa and Argentina. In FUERZA BRUTA, BEN HUR LIVE: ROME, AS YOU LIKE IT, COMEDY OF ERRORS, KING LEAR, JULIUS CEASER in Central Park. Christian has taught at: Rutgers, NYU, Yale, The New School, and Wagner. He is a resident fight director at Sante Fe Opera.