SEX AND VIOLENCE: Using Consent Protocols On Stage
A Discussion with Intimacy Director Judi Lewis Ockler and Stage Combat Director Christian Kelly-Sordelet
Moderated by Katherine Wilkinson
Monday, December 9th at 7pm
HB Playwrights Theatre | 124 Bank Street, New York
Free! | RSVP
A stage combat director and an intimacy director share notes about building a framework of consent and practice that supports actors to take risks, and to handle both intimate and violent staged interactions in their work. This talk will be preceded by a workshop for HB Studio Faculty on November 19th on using intimacy protocols in teaching and rehearsal.
Judi Lewis Ockler is an intimacy/fight director, variety performer, stunt performer, and teaching artist. Credits include: HATEF**K (Adrienne Campbell-Holt, director; WP theater) UNDER THE OVERTURE (Gerard Alessandrini, director), A MIDSUMMER NIGHT’S DREAM (Tony Speciale, director; Classic Stage). She is an Intimacy Director with Intimacy Directors International; she leads workshops in Intimacy for the Stage for actors and designers at Eugene O’Neil Theater Center, NYU Tisch, and The American Musical & Dramatic Academy, NYC.
Christian Kelly-Sordelet: Fight Director, Broadway: PICNIC, BREAKFAST AT TIFFANY’S, WAITING FOR GODOT and NO MAN’S LAND, ECLIPSED SUNSET BOULEVARD. Off-Broadway: MASKED, SLIPPING, UNLOCK’D, THE BROTHER/SISTER PLAYS, KID VICTORY. Stunt Coordinator for: ALL MY CHILDREN, GUIDING LIGHT, ONE LIFE TO LIVE, SCHOOL SPIRITS, and KEVIN CAN WAIT. Christian assisted in: THE SNOW GEESE, BEAUTY AND THE BEAST TOUR: South Africa and Argentina. In FUERZA BRUTA, BEN HUR LIVE: ROME, AS YOU LIKE IT, COMEDY OF ERRORS, KING LEAR, JULIUS CEASER in Central Park. Christian has taught at: Rutgers, NYU, Yale, The New School, and Wagner. He is a resident fight director at Sante Fe Opera.
HB Public Conversations
HB’s Public Conversations series features leading theater, film, and television artists in conversation about the intentions that guide their work and their artistic vision and influences. The goal of the series is to stimulate critical dialogue about the artistic process in its social context, to educate and connect aspiring and working theater artists, and support a critically engaged theater audience. Talks are open to the public and free of charge.