Faculty Legacy

Robbie McCauley

Robbie McCauley, OBIE Award playwright of Sally’s Rape, an internationally recognized performance artist and director appears in her play, Sugar, recently presented at Live Arts in New York; and performed in a work in progress performance piece, “Associative Behavior in the Fifth Species” at the Williamsburg Art Historical Center, and at Dixon Place. Her innovative theatre pieces include My Father and the Wars, Persimmon Peel with the late beloved Laurie Carlos and Teenytown written and performed by Thought Music, a performance trio with Carlos and Jessica Hagedorn. Directing credits include an innovative interpretation of Tennessee Williams’ The Glass Menagerie at Roxbury Repertory Theater and Adrienne Kennedy’s Sleep Deprivation Chamber at Penumbra Theatre Co. in Minnesota. Acting credits include For Colored Girls Who’ve Considered Suicide When the Rainbow Is Enuf on Broadway, and Fences at the Tyrone Guthrie in Minnesota. Her influential work involving theatre made to converse about race in the early 90’s included The Buffalo Project at Hallwalls and the Primary Sources series in Western Mississippi, Boston, and Los Angeles produced by The Arts Company. Widely anthologized, including Omi Osun Joni L. Jones’ newest book, Experiments in a Jazz Aesthetic, Robbie McCauley is a Professor Emerita of Emerson College in Boston.

Morfogen, George

TEACHING STATEMENT:
“Audibility is not a liability. It is an enhancement. Clarity is strength not weakness. Please work with a partner, if possible. But better to do a ‘solo’ than no work at all. If asked to ‘bring a scene back’ next week, please do so. You have the right to say ‘I’d rather not.’ I retain the right to make it mandatory. Avoid being late. Excused lateness is a privilege. Don’t make it a habit. Rise to a challenge. Don’t intentionally miscast yourself. Be courageous. Behavioral values are more potent than literary decisions. Criticism may be brutal but never cruel.”

BIO:
Broadway: A MAN FOR ALL SEASONS, FORTUNE’S FOOL, AN INSPECTOR CALLS, ARMS AND THE MAN, KINGDOMS, JOHN GABRIEL BORKMAN. Off Broadway: RICHARD II (Bayfield Award), THREE SISTERS, THE FOREST, UNCLE VANYA, IVANOV (CSC); ALL’S WELL THAT ENDS WELL, ANTONY AND CLEOPATRA (TFANA), MRS. WARREN’S PROFESSION, THE COUNTRY GIRL, CYRANO (Roundabout), PRINCIPIA SCRIPTORIAE, GOLDEN AGE (MTC), HEARTBREAK HOUSE, VIEUX CARRE (Pearl), HAMLET, OTHELLO, CYMBELINE, HENRY V, AS YOU LIKE IT, A MIDSUMMER NIGHT’S DREAM (Public). THE OXFORD ROOF CLIMBERS REBELLION (Urban Stages). FREUD’S LAST SESSION (New World Stages). A PICTURE OF AUTUMN, THE MADRAS HOUSE, THE VOYSEY INHERITANCE, UNCLE BOB – (Premiere), THE LONELY WAY, DONOGOO (Mint). NORA (Cherry Lane). Regionals: GOLDEN AGE (Premiere) – Philadelphia and Kennedy Center. Other regions include Baltimore, Arizona, Seattle, Long Wharf, Pittsburgh, Manitoba, Peterborough NH, Williamstown. Films include: TWENTY BUCKS; WHAT’S UP DOC?; THOSE LIPS, THOSE EYES; THEY ALL LAUGHED; SHE’S FUNNY THAT WAY. TV includes: OZ (HBO), DAMAGES, LAW AND ORDER SVU. Fox Fellow, 2000. Brown University (Phi Beta Kappa), Yale School of Drama.

Morehouse, Edward

Studied with Herbert Berghof and Uta Hagen. Member of HB Studio since 1952, faculty member since 1957. Stage debut in THE GOOD WOMAN OF SETZUAN, starring Uta Hagen. Off-Broadway: THIS SIDE OF PARADISE, ANDORRA, GOAL GATE, HYACINTH HALVEY, the Bishop in THE PRICE OF GENIUS, Almandy in THE PLAY’S THE THING, Edward in THE COCKTAIL PARTY, Goff in David Wiltse’s SUGGS for HTC, Lucky in the Arthur Storch production of WAITING FOR GODOT, and ALL’S WELL THAT ENDS WELL. Film: opposite Rod Steiger in THE PAWNBROKER. TV: THE NAKED CITY. Directing: UNDERCOVER MAN (HB Playwrights Foundation and Off-Broadway), CONDITIONED REFLEX (ANTA), Shaw’s YOU NEVER CAN TELL (E.L.T.), Pinter’s NIGHT and ONE FOR THE ROAD (Chelsea Arts Center), BETRAYAL and MISS JULIE (HB), O’Casey’s A BEDTIME STORY, and a stage adaptation of Dorothy Parker’s HERE WE ARE (Lincoln Center). HB Playwrights Foundation Acting: ANIMAL LOVERS and DOÑA ROSITA. Directed and designed: THE VOICE OF THE TURTLE (No Smoking), the Harrison translation of Molière’s THE MISANTHROPE (Swiss House, 1995), and the American Premiere of Jean Anouilh’s MEDEA (Hudson Guild Theatre, 1957). Writing: with Jim Boerlin, THE KNIVES ARE SILENT, an adaptation of VENICE PRESERVED, and MAY DAY (screenplay) based on the story of F. Scott Fitzgerald. Faculty member of The Hagen Institute at HB Studio with both The Hagen Summer Intensive and The Hagen Core Training programs. Recently directed Ferenc Molnár’s THE PLAY’S THE THING at HBPF.

French, Arthur

Broadway: THE TRIP TO BOUNTIFUL, DIVIDING THE ESTATE, MULE BONE, MA RAINEY’S BLACK BOTTOM, DESIGN FOR LIVING, YOU CAN’T TAKE IT WITH YOU, DEATH OF A SALESMAN, THE ICEMAN COMETH, THE RIVER NIGER, AIN’T SUPPOSED TO DIE A NATURAL DEATH and ALL GOD’S CHILLUN GOT WINGS. Off-Broadway: THE PICTURE BOX, THE LITTLE FLOWER OF EAST ORANGE, TWO TRAINS RUNNING, DRIVING MISS DAISY. Film: RED HOOK SUMMER, GODS BEHAVING BADLY, WHERE IS JOEL BAUM?, 2 DAYS IN NEW YORK, PLEASE GIVE, KINSEY, MUSIC OF THE HEART, ’ROUND MIDNIGHT, CAR WASH, MALCOLM X, CROOKLYN, and THE OUT-OF-TOWNERS. TV: DELOCATED, A GIFTED MAN, PAN AM, NYC 22, RESCUE ME, LAW & ORDER, NURSE JACKIE. Founding member of the Negro Ensemble Company. Awards: Obie Award (Sustained Excellence of Performance), Lucille Lortel Award (Outstanding Featured Actor, TWO TRAINS RUNNING), and 5 AUDELCO Awards for Excellence in Black Theatre (Acting & Directing).

Blum, Mark

TEACHING STATEMENT:

“Every student is different.  My job is to be a diagnostician, identifying the particular issues holding an actor back from reaching his or her potential, then nudging them towards finding, and owning, the keys to their own freedom.”

BIO:

MFA in Acting, University of Minnesota, also studied at HB Studio and with Andre Gregory. Broadway: THE ASSEMBLED PARTIES (2013); GORE VIDAL’S THE BEST MAN (2012); LOST IN YONKERS; TWELVE ANGRY MEN; GORE VIDAL’S THE BEST MAN (original production); A THOUSAND CLOWNS; THE GRADUATE; MY THING OF LOVE; and THE MERCHANT. Off-Broadway: THE GOOD MOTHER; LONELY, I’M NOT; WE LIVE HERE; PICKED; AFTER THE REVOLUTION; THE SINGING FOREST; MOURNING BECOMES ELECTRA; BUFFALO GAL; THE MUSIC TEACHER; THE LONG CHRISTMAS RIDE HOME; THE WAVERLY GALLERY; THE SEAGULL; KEY EXCHANGE; TABLE SETTINGS; SAY GOODNIGHT GRACIE; LITTLE FOOTSTEPS; IT’S ONLY A PLAY; MISLANSKY ZILINSKY; and GUS AND AL, for which he received an Obie Award. Film: THE GREEN; SHATTERED GLASS; DESPERATELY SEEKING SUSAN; CROCODILE DUNDEE; THE PRESIDIO; BLIND DATE; JUST BETWEEN FRIENDS; WORTH WINNING; MIAMI RHAPSODY. TV: Most recently appeared in Netflix’s YOU, HBO’s SUCCESSION, and Amazon’s MOZART IN THE JUNGLE. Other TV credits: INDICTMENT: THE McMARTIN TRIAL; STEVE MARTIN’S THE JUDGE; THE DEFENDERS; as well as guest-starring roles in THE GOOD WIFE; LAW & ORDER; FRINGE; THE SOPRANOS; WEST WING; CSI MIAMI; JUDGING AMY; NYPD BLUE; ST. ELSEWHERE; MIAMI VICE; FRASIER; WINGS; ROSEANNE; THE PRACTICE; and many others. Teaching: Fordham University, Manhattan School of Music, The USDAN Summer Conservatory Program, The Lincoln Center Institute for Education, and the Manhattan Theatre Club Educational Program, Brooklyn College. Mark is the Director of the Uta Hagen Institute’s Hagen Core Training at HB Studio.