Guest Artist

Since earning her degree in Religious Studies and the Aesthetics of Movement, Nina Wise has devoted her career to developing theater and writing stories that address the complex relationship between body, intellect, and spirit. Her original works, performed in prestigious venues in the United States, South America, Europe and Asia have won awards for playwriting, innovative design, and new theater including three NEA fellowships and seven Bay Area Theater Critics Awards. Her book, A Big New Free Happy Unusual Life, was published by Broadway Books and her stories and articles have appeared in numerous anthologies and journals.

Wise’s immersive theater piece The Kepler Story, created in collaboration with California Academy of Sciences Morrison Planetarium, is the first theater piece ever created about an astronomer for domes. The production played to sold out crowds at Morrison Planetarium in San Francisco and the Fiske Planetarium, UC Boulder and is currently in development for a world tour.

The founder of Motion Theater®, an original form of autobiographical improvisation, Nina offers performances and trainings in this unique form of authentic self-expression. She has performed custom-designed improvised works at theaters, think tanks, conferences, medical institutions, and political events around the world.

As an artist and teacher who specializes in innovation, she has coached numerous individuals and teams in creativity, the cultivation of presence, stress reduction, communication and leadership. In addition, authorized to teach by Jack Kornfield, Wise teaches Buddhist practice at Spirit Rock Meditation Center and other spiritual centers worldwide.

Peter Francis James taught Shakespeare at the Yale School of Drama from 2000 – 2020. Training: RADA. Broadway: HILLARY AND CLINTON, PRESENT LAUGHTER, THE MERCHANT OF VENICE, ON GOLDEN POND, DROWNING CROW, JUDGMENT AT NUREMBERG. The Public: STUFF HAPPENS (OBIE & Lucille Lortel Awards), MUCH ADO, VENUS, HORATIO IN KEVIN KLINE’S HAMLET, LONG DAY’S JOURNEY… CSC: THE MAIDS (OBIE Award). Signature Theater: THE LADY FROM DUBUQUE, (Lortel Nomination). U.K: THE LADY FROM DUBUQUE (w/Maggie Smith), CYMBELINE (RSC /TFANA). Film/TV: THE HUMBLING, SONG ONE, THE LOSERS, THE REBOUND, THE MESSENGER / BULL, GODFATHER OF HARLEM, THE CODE, BOARDWALK EMPIRE, THE MYSTERIES OF LAURA, OZ, ROYAL PAINS, GOSSIP GIRL, KINGS, THE ROSA PARKS STORY, SIMPLE JUSTICE, THE RUBY BRIDGES STORY, all three LAW & ORDER series. Narration: over 60 books.

BIO:

New York- based actor. He appeared as Charlie D’Amico in the Lucille Lortel Award winning production of JESUS HOPPED THE ‘A’ TRAIN, dir: Mark Brokaw (Signature Theater). Also at Signature Theater: OUR LADY OF 121st, dir: Phylicia Rashad. Off-Broadway: ROMEO Y JULIETA dir: Saheem Ali (Public Theater); JULIUS CAESAR dir: Oskar Eustis (Delacorte Theater); SHAKESPEARE TRILOGY dir: Phyllida Lloyd (St Ann’s Warehouse); LAST DAYS OF JUDAS ISCARIOT dir: Estelle Parsons; Other theater credits: World Premiere of THE ASSIGNMENT ( A.R.T.NY); and World Premiere of THE PRINCE OF PROVIDENCE (Trinity Rep) TV: “Blue Bloods” (Guest Star Recurring), “New Amsterdam” (Recurring), “For Life”, “Blacklist:Redemption,” “Broad City,” “Law & Order SVU,” “Master of None,” and “Sneaky Pete.” FILM: “Life After You,” “11:55,” “Missing William.” Education: MFA: Actors Studio Drama School. BFA: University of Rhode Island. Erick received the 2020 Theater Hall of Fame: Emerging Artist Award. He is a Lifetime Member of the Actors Studio and proud member of the LAByrinth Theater Company.

BIO:

Laila Robins has just completed episodes of THE HANDMAID’S TALE, THE CODE, NEW AMSTERDAM, THE BOYS and THE BOLD TYPE. She was a series regular on DECEPTION and HOMELAND (season 4, SAG and EMMY nom/best ensemble), MURDER IN THE FIRST (season 2) and GABRIEL’S FIRE (opposite James Earl Jones). Other TV credits include IN TREATMENT, BORED TO DEATH, SOPRANOS and TOO BIG TO FAIL. Broadway: HEARTBREAK HOUSE, FROZEN (Lucille Lortell nom), THE REAL THING, THE HERBAL BED. Off-Broadway: THE APPLE FAMILY PLAYS (OBIE, Drama Desk/best ensemble, Drama Desk nom., filmed for PBS), LADY FROM DUBUQUE (OCC nom, AEA’s Richard Seff Award), MRS. KLEIN (with Uta Hagen), A MIDSUMMER NIGHT’S DREAM (Central Park). Regional: THE LION IN WINTER, ANTONY AND CLEOPATRA (Guthrie), THE SECOND MRS. WILSON (George Street), A STREETCAR NAMED DESIRE (Jefferson Award/Steppenwolf). Films include EYE IN THE SKY, SIDE EFFECTS, AN INNOCENT MAN and PLANES, TRAINS AND AUTOMOBILES. She is an artistic associate of the Shakespeare Theatre of New Jersey. MFA: Yale School of Drama

“The Maria Callas of American musical theater,” as Opera News has called her, referencing both her crystalline voice and dramatic, expressive intensity, Melissa Errico is a Tony Award-nominated actress, singer and author who contributes regularly to The New York Times. First known for her starring roles on Broadway, including MY FAIR LADY, HIGH SOCIETY, and LES MISERABLES, her recent album, Sondheim Sublime, was called by The Wall Street Journal “The best all-Sondheim album ever recorded.” Errico’s history with Sondheim began when he selected her to star as Dot in SUNDAY IN THE PARK WITH GEORGE at The Kennedy Center, and she has since co-starred as Clara in PASSION at Classic Stage Company and in the NY City Center Encores! production of the Sondheim/Rodgers musical DO I HEAR A WALTZ? In April 2020, she appeared in the much-talked about Sondheim 90th Birthday Concert with Broadway.com and in May, was featured on the PBS Poetry in America episode about Sondheim which featured Melissa singing “Finishing the Hat.” In addition to Sondheim, nothing in her work has been more constant than her association with composer Michel Legrand. Having starred in his sole Broadway show, AMOUR, she went on to collaborate with him on the iconic album Legrand Affair. After his death in 2019, she was asked to write his eulogy by The New York Times and was then invited to be the sole American performer in the extraordinary two-day memorial to Legrand held in April, 2019 at Paris’ Le Grand Rex Theatre. Warner Music/Ghostlight Records recently reissued her symphonic album, which Legrand arranged & conducted, as Legrand Affair (Deluxe Edition). July 4 weekend she offered a special virtual concert with Seth Rudetsky and has also been keeping busy through these difficult months by offering multiple other live-streams and conversations, teaching master classes for students across the country, and producing a delicious at-home cooking show “The Honest Cook” on Instagram, which she chronicled in an essay for Variety magazine.

Melissa is delighted to teach at HB & hopes to create a kind and exciting atmosphere to practice, learn and take risks.

Caroline Aaron is a professional actress, known to theater, film and television audiences, as well as a published author and playwright. Caroline made her Broadway debut in Robert Altman’s COME BACK TO THE FIVE AND DIME, JIMMY DEAN, JIMMY DEAN and later appeared in the film. The following Broadway season, she starred in the Jose Quintero/Jason Robards’ revival of THE ICEMAN COMETH. She next starred in Mike Nichols’s Broadway smash comedy SOCIAL SECURITY. Mr. Nichols first directed her on film in HEARTBURN. She re-teamed with Mr. Nichols for WORKING GIRL, PRIMARY COLORS, and WHAT PLANET ARE YOU FROM? She returned to Broadway starring in I HATE HAMLET. She headlined the west coast premiere of Wendy Wasserstein’s THE SISTERS ROSENSWEIG and was acknowledged with both a Helen Hayes and Dramalogue Award. She starred on Broadway in Woody Allen’s comedy HONEYMOON HOTEL, and starred in Lincoln Center’s award-winning play A KID LIKE JAKE.

On film, Caroline is a frequent collaborator with Woody Allen. She played his sister in CRIMES AND MISDEMEANORS. She also worked with Woody Allen in ALICE, BULLETS OVER BROADWAY, HUSBANDS AND WIVES, and again played his sister in DECONSTRUCTING HARRY.

Caroline starred in Kevin Spacey’s film BEYOND THE SEA. She has appeared in over a hundred films. They include 21 & 22 JUMP STREET, THE REWRITE, JUST LIKE HEAVEN, NANCY DREW, SURVEILLANCE, LOVE COMES LATELY, EDWARD SCISSORHANDS, ANYWHERE BUT HERE, THE BIG NIGHT, and BOUNCE among others.

Television audiences are also familiar with her work. A partial list of her television appearances includes SECRETS AND LIES, THE MILLERS, GREY’S ANATOMY, PRIVATE PRACTICE, all the CSI’S, all the LAW & ORDERS, TWO BROKE GIRLS, SEX AND THE CITY, CURB YOUR ENTHUSIASM, among others. Most recently, she is a recurring character on EPISODES, TRANSPARENT, and THE MARVELOUS MRS. MAISEL.

Shawn René Graham [she/her] is a freelance writer and dramaturg from San Jose, California who has worked with countless writers such as Walter Mosely, Nilo Cruz, Lynn Nottage and Cori Thomas. She is currently the resident dramaturg of The American Slavery Project’s Unheard Voices, the Literary Director for the Classical Theatre of Harlem’s Future Classics Series and Playwright’s Playground, and founder of All Creative Writes, an artistic assistance service designed to provide individual artists and performing arts organizations with administrative, fundraising and writing support. Ms. Graham holds degrees from the California State University, Los Angeles, and the American Repertory Theatre Institute for Advanced Theatre Training at Harvard University. She joined The Field in 2012 and lives in Bronx, NY with her dog, Mercy.

Film directing includes the cult classic CLUE (he also wrote the screenplay), NUNS ON THE RUN (also written by Mr Lynn), MY COUSIN VINNY, THE DISTINGUISHED GENTLEMAN, SGT. BILKO, GREEDY, TRIAL AND ERROR, THE WHOLE NINE YARDS, THE FIGHTING TEMPTATIONS (NAACP Image award) and most recently, WILD TARGET. For television, Lynn has acted in and written dozens of episodes of various British comedy series, including YES MINISTER and YES, PRIME MINISTER, created and co-written with Antony Jay. Lynn authored the books THE COMPLETE YES, MINISTER and THE COMPLETE YES, PRIME MINISTER, which cumulatively sold more than a million copies in hardback and have been translated into numerous languages and are still in print nearly 30 years later. His book, COMEDY RULES (Faber and Faber) received rave reviews and of his latest book, the satirical novel SAMARITANS, the London Sunday Times wrote “This is a book George Orwell would have approved of.” Hat Trick Production has optioned the TV rights. After receiving a law degree from Cambridge University, Lynn’s West End theater debut, aged 23, was as Motel the Tailor in the original London cast of FIDDLER ON THE ROOF. Subsequent London directing credits include: THE GLASS MENAGERIE working with Tennessee Williams; SONGBOOK (Best Musical: Olivier Award and Evening Standard Award); ANNA CHRISTIE (RSC, Stratford and the Donmar); Joe Orton’s LOOT, PASS THE BUTLER by Eric Idle, Shaw’s ARMS AND THE MAN and David Wood’s THE GINGERBREAD MAN (Old Vic, twice). While Artistic Director of the Cambridge Theatre Company, Lynn directed twenty productions and produced twenty others, nine of which transferred to the West End. At the National Theatre, Lynn directed A LITTLE HOTEL ON THE SIDE by Georges Feydeau and THREE MEN ON A HORSE by George Abbott (Olivier Award, Best Comedy). More recently, he co-wrote and directed the play YES, PRIME MINISTER at the Chichester Festival Theatre, then at The Gielgud Theatre in London, playing to full houses for sixteen weeks. It subsequently played longer return seasons by public demand at the Apollo, the Gielgud again and the Trafalgar Studios, and numerous foreign cities including LA (but not yet New York)! His latest play, THE PATRIOTIC TRAITOR, played at the Park theatre, London, in 2016 for a 100% sold-out run. It is also published by Faber and Faber.